But you often can't pinpoint one specific instrument.Īs for panning, make sure you move instruments with lots of upper midrange out of the center. If it's primarily one instrument that's in contention with the vocal, EQing or panning just that instrument is better than EQing the entire instrument bus. It may also be helpful to take some low mids out of the vocal, around 500Hz or so. Move it around until you find the range that lets the vocal clarity come through without killing the instruments behind it. Give it a -3db dip centered around 2KHz, spanning about 1Khz to 3Khz. Run all your instruments to a common bus if you're not already doing so, and put a parametric equalizer on that bus. If you're having a hard time getting the vocals to rise above a dense mix, try addressing it with EQ. Oh, and you don't even want me to tell you about the problems I'm having trying to figure out the console! It's just that I'm a musician, not an engineer (although it seems most people on here can do both). Most of the songs have some light synth on them (like most pop songs do) to compliment the melodies.Īgain, sorry for sounding stupid. Any of the songs that have guitar on them just have one guitar a song. I can tell you that my music is straight up Pop music, with little touches of rock and R&B on certain songs.
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To be honest, I don't even know what the term "tap delays" mean and I have no idea how to make sure the delay timings coincide with the BPM. Let me know and maybe yep, myself and others can give you some brief guides on panning for those styles.
What style is your music.rock, pop.r+b, techno, dance, jazzz etc. could you list for us the exact track listing that you have.aka how many guitars, what type of 'sound do they have' (heavy, clean etc.) and what type of synths.are they piano type sounds, organs or more techno? Regarding panning this is a whole science in itself. Every pop record these days has some delay or reverb on the voice. just about ever studio singer has used this, even hard rock like Robert Plant with Zeppelin if you listen to how they process his voice which has a harsh-edge on it.it almost always had a little delay on it which helped it seem big but still sit in the mix. This will add depth to the vocal and probably make the vocalist sound better. make sure the delay timings are set to coincide with the BPM whether it be on the quarter, eighth note, 16th notes etc. Try building in some tap-delays to the vocals that you can ping pong to the left and right stereo fields.
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